Into the Unknown Jurgen Trautwein’s exhibition “Into the Unknown" is his ninth show of paintings at 60SIX. Consistent with most of his painting series the artist used found objects as the canvas. Large print fashion ads in a hanging banner format provide a front and back surface for the work. Echoing a past suite of works called “Skins”, both sides of the banners have a painted surface. In the series “Skins”, images showed through monochrome paintings and the back was latent but mostly invisible unless turning the piece. In this case the backside becomes the front, which presents controlled accidents made with additive and subtractive processes. Surfaces are built with unpredictable texture, color and composition. Nuances of printmaking, particularly mono printing appear, where the pealed paint from the studio floor merge with paint bleeding through the front. Unexpected images emerge, reminiscent of aerial topography or landscapes. No boundary exists here in what mark came from what circumstance. Trautwein violating the surface within a finessed dance of intention, chaos, deliberation and accident, results in a rich, unbridled sensibility to these paintings. |
Saturday, January 21, 2023
Into The Unknown- new paintings exhibition at gallery 60SIX in San Francisco, Feb 11 - March 4. 2023
Friday, September 30, 2022
Thursday, April 14, 2022
Thursday, February 3, 2022
R u Sirius new paintings on star- and animal game maps at gallery 60six in San Francisco
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R u Sirius
Jürgen Trautwein presents his new suite of paintings in an eighth exhibition with 60SIX, “R u Sirius”. His practice of using found objects continues as in this series printed vellum maps of game animals and star constellations act as the canvas, both showing through and at times creating resistance with the acrylic paint. Jürgen has an uncanny ability to seemingly effortlessly integrate elements of subjects or materials he confronts in daily life into his paintings.
In these paintings the artist’s brush marks subtly or boldly disintegrate and deconstruct. In some pieces the marks from the maps below show through the paint as a curious pattern or code. Trautwein’s deliberate manner allows his color fields and wide brush gestures to interact with the found object substrate and create an unlabored aesthetic, not precious, nor overly worked. The artist says about his paintings, “They are voids of no incident encouraging a state of contemplative meditation in the viewer.”
The name of the series married with the outer space maps suggest the absurdity and inevitably of our precarious current relationship with the larger universe and the microscopic world. This angst resides just beneath the surface in our lives and below the artist’s confident gesture.
Reception: Saturday, February 19
5:00-8:00pm
at 455A Valencia, SF CA 94103
MASKS required and vaccination cards will be checked at the door.
60SIX
After the off-site opening, view by appointment
at 12 Elgin Park
San Francisco CA 94103
http://www.gallery60six.com
415-577-4396
Friday, December 31, 2021
Monday, November 22, 2021
Goethe on demand: Bias in technologies - short films 18-28 November 2021
Goethe on Demand: Bias in technologies
Shorts
In a humorous, playful, experimental, surprising and provocative way, the short films collected here question the use of and our dealings with various forms of technology as well as the effects of deep socio-political structures on algorithms. They provide insights into the machines and present utopian-dystopian views of posthumanist futures.
Brenda Lien’s Call of Comfort (DE 2018, 9 min.) deals with our online privacy, which falls victim to our demand for comfort as well as the promise of an optimized life. AIVA (DE 2020, 13 min.) by Veneta Androva humorously analyzes how “neutral” artificial intelligence can be, deconstructing the myth of the male genius. The experimental science fiction short film by video artist Björn Melhus, SUGAR (DE 2019, 20 min), confronts us with a post-humanist and post-capitalist future in which robots seek a way out of the echo chambers of meaningless selfie monologues left behind by humans. Halina Kliem’s speculative fiction The AIs (DE/USA 2021, 7 min.) is an experimental fiction on learning and unlearning, mind and labor, dynamics of bias, as well as change, and a dialogue between human and non-human entities. The film explores beliefs humans have about themselves, using feedback loops, chaotic systems, and historical-pattern-replicating machines. Meta_Face (USA 2017, 2 min.) by Jürgen Trautwein and Silvia Nonnenmacher reflects on how the major social networks we feed daily with our search queries, status updates, and location services know more about our obsessions and addictions than we do. Vera Seberts and Harun Farocki direct our gaze into the machines: What happens when visual language elements and metatexts are stripped of their context? Liquid Traits of an Image Apparatus (DE/AT, 2019, 7 min.) presents a poetic-experimental choreography of codes and symbols. In numerous juxtapositions, Eye/Machine III (DE, 2003, 25 min.) examines “intelligent” image processing techniques and “operative seeing” as well as the relationship between man, machine and modern warfare: What are the socio-political, but also humanistic consequences when (war) machines block out “surplus” information?
Some of these films contain graphic scenes of nudity.
Sunday, November 14, 2021
Tuesday, September 28, 2021
Wednesday, June 30, 2021
Tuesday, May 25, 2021
Wednesday, April 28, 2021
NIESATT - statement
NIESATT
ist ein sich stetig entwickelndes Zeichnungs und Multimedia-Hybridisierungs-Projekt das im Jahr 2001 begonnen wurde.
NIESATT ist ein Neologismus gebildet aus den Wörtern nie und satt. Wenn NIESATT rückwärts gelesen und das doppelte T durch ein D ersetzt wird, liest man Dasein.
NIESATT untersucht ausgewählte Zeichnungen und ihre digitalen Transformationen. Die Zeichnungen, die zur Transformation auswählt werden, sind nicht im Bereich der Ästhetik und Theorie versiegelt, sondern beziehen sich auf das Leben um uns herum. Sie enthüllen Visionen des menschlichen Dramas auf dem Schlachtfeld der Realität in unserer kommerzialisierten und maschinenabhängigen Welt.
NIESATT sind emotional realistische, zum Nachdenken anregende Zeichnungen, die den Betrachter herausfordern, sein eigenes Verhalten unter der Last der technokratischen Maschine in Frage zu stellen.
Alle Zeichnungen und gedruckten Transformationen werden auf 8,5” x 11” Papierblättern (des dem amerikanischen Equivalents zum DIN A4 Format) ausgeführt, ein Hinweis zur Standardisierung der Kommunikation. Blatt für Blatt, Minute für Minute, der eigenen inneren Stimme folgend, werden einfache, kraftgeladene Strichzeichnungen in einem maschinenähnlichen Rhythmus ausgestossen. Es ist die Absicht makellose, unprätentiöse Zeichnungen zu erstellen, die in einem schnellen und direkten Modus gezeichnet wurden und keine Korrekturen zulassen. Zeichnungen, die nicht funktionieren, landen in einer Recyclingschleife, in der sie spontan mit Stiften, Markern und Farben bearbeitet werden. Einige bleiben über viele Jahre in dieser Schleife und sammeln mehrere Inhaltsebenen. Sie sind wie Zeitkapseln oder Timesheets. Gelegentlich werden Timesheets durch schwarze Malstriche gelöscht, wodurch ihr früherer Inhalt zerstört wird und nur rudimentäre Fragmente sichtbar bleiben.
Für ortsspezifische Wandinstallationen werden ausgewählte NIESATT Zeichnungen geordnet, um neue Beziehungen herzustellen. Sie werden gescannt, manipuliert und vergrößert. Schließlich werden diese neuen Arrangements gedruckt und an die Wand geklebt, um das Bild in seiner Gesamtheit zu zeigen. Die gedruckten Vergrößerungen werden zur pixelisierten Objektivierung der Zeichnungen. Die einzelnen Blätter, die Bausteine der neuen Anordnungen, erscheinen selbst wie Pixels.
NIESATT erforscht weiterhin unaufhörlich die Erfahrung des Selbst in einem sich kontinuierlich entwickelnden Erkundungs- und Befragungsprojekt.
NIESATT
Installationansichten aus der "Gnadenlose_Idylle" Ausstellung @KV NECKAR_ODENWALD, Germany
Saturday, April 10, 2021
Thursday, February 25, 2021
RISE (in a topsy_turvy world) a NIESATT_TTASEIN video project by jtwine.com
#TTASEIN #NIESATT #2020inReview #contemporaryvideoart #jtwine.com #RiseToPersevere
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fragmented memories of a year like no other
Monday, February 15, 2021
Tuesday, January 19, 2021
Tuesday, January 12, 2021
TTASEIN - an exercising being animation project - a year in review
TTASEIN in a Topsy_Turvy world
TTASEIN is a collaborative net-based project by Jurgen Trautwein and
Silvia Nonnenmacher. On the creative methodology, the work employs a
low-end approach by using social commentary drawings on letter-size
paper with pen and ink before converted into .gifs.
- A year in review -
TTASEIN is Dasein in serious times under serious measures, a constant
balancing act between hope and despair, using Art as the raft onto which
to climb to save our sanity.
Tuesday, December 15, 2020
Rolling to the Mission - a trailer to a movie that was never made
Sunday, November 29, 2020
jtwine aka Jürgen Trautwein - Netartist of the Month November 2020
NewMediaFest2020 '11 - The 365 Days Diary
04 November 2020
jtwine aka Jürgen Trautwein - Netartist of the Month November 2020
Already
in 2001, at that time living in San Francisco, jtwine joint
Wilfried's Netart Cosmos, he participated in all possible JavaMuseum
shows and his netbased work is one of a few artists whose entire work is
still online - and can therefore called "netart" in the actual sense of
the word. So, there are many good reasons to honour this artist -
living in two worlds - as "The Netartist of November 2020", and point
to the "Internet based art", this way, as an artform which still has
the potential to represent an art genre for itself, even if this wide
field will be nearly completely erased on 1 January 2021. So, many
thanks to j.t.wine for being a compagnion in art over the past 20 years!
Read the complete article on - http://retro.newmediafest.org/04-november-2020/ - and review a selection of his netart works.

















