j t w i n e - n o w: painting

Showing posts with label painting. Show all posts

Wednesday, February 28, 2018

Skies Away - a studio Archaeology painting project

"Skies Away" is an experimental Studio-Floor-Transfer-painting-series in progress.

The series consists of thin color excavations being preserved on linen, handkerchiefs and paper,

embracing the accidental outcome.

"Skies Away" is peeling off paint that has accumulated on the in plastic covered studio floor over the course of the past 7 years.

SkAy_shellmount1, acrylic on linen, ca. 230cm x 120cm, 2018

SkAy_ shellmount 2, acrylic on linen, ca. 200cm x 120cm, 2018

SkAy_pinkviridian, acrylic on linen, 30cm x 40cm, 2018

SkAy_pinkviridianblue, acrylic on linen, 30cm x 40cm, 2018

SkAy_tamalpais, acrylic on linen, 33cm x 40cm, 2018

SkAy_scallops, acrylic on paper, 21cm x 30cm, 2018

SkAy_wakame, acrylic on paper, 21cm x 30cm, 2018

SkAy_hotei, acrylic on paper, 21cm x 30cm, 2018

SkAy_forgetmenot, acrylic on linen, 25cm x 25cm, 2018

SkAy_farallone, acrylic on handkerchief, 25cm x 25cm, 2018

Friday, September 8, 2017

Überlebenssäcke - survival sacks /Erstickungssäcke - suffocation sacks

Wald und Wiesen Überlebens-/Erstickungssacktestvariationen - posing performances for wildlife and trees. From the evolving "who gives a fucking S..t" project.

Wednesday, June 21, 2017

wall-repaint

Friday, April 8, 2016

Photo-documentation of graffiti clean-up-paint-jobs in San Francisco

@Hemlock

Wednesday, March 23, 2016

Photo-documentation of graffiti clean-up-paint-jobs in San Francisco

Friday, March 4, 2016

Photo-documentation of graffiti clean-up-paint-jobs in San Francisco

Thursday, February 18, 2016

Photo-Documentation of graffiti clean-up paint jobs 2

@9th & Balboa

Monday, January 25, 2016

Photo-Documentation of graffiti clean-up paint jobs

On Bush and Hyde in San Francisco

Friday, September 27, 2013

Skins - acrylic paintings on collages - part 1

Skins

Skins are monochromatic paintings in acrylic on various geometrically ordered collages, which consist of multiple sheets of letter-size paper.

Skins grow out of papers called “time-sheets”, which are unwanted drawings, paintings, prints, sketches, notes, flyers, form-letters, texts, everything ready to be torn up and thrown away, or anything considered not being a “finished” art-piece in the 8,5 x 11 inches paper format. These “time-sheets” end up in various “recycle stacks” spanning over a long period of time. The joining of the single “time-sheets” (most of them printed, or worked on from both sides) is very intuitive, so the backsides are accidental fusions of various documents of time, preserving the provisional quality of a stack of used paper, while still displaying all personal content from a time-span of about twenty years. Through the gluing and multilayered painting processes the single sheets meld together into smooth, wavy and wrinkly, monochrome light-fields, revealing faint indications of their geometrical structure.

Skins are shielded personal landscapes, uneven, almost aged surfaces that conceal private information, transcending into empty quietness; meaning- and timeless abstract spaces of open interpretation. They are silent reminders of erased content, voids of no incident encouraging a state of contemplative meditation in the viewer.