Showing posts with label performance. Show all posts
Showing posts with label performance. Show all posts
Friday, October 11, 2019
Friday, August 30, 2019
Sunday, May 20, 2018
Sunday, May 13, 2018
Wednesday, May 9, 2018
Following the coyote back into wilderness
From the temporary interference project "following the coyote back into the wilderness” (in this case a giant poodle who walked into the picture) @the charcoal kilns near Wildrose, Death Valley, California, USA
An hommage to Joseph Beuys’ performance at Rene Block gallery NY 1974 “I like America and America likes me.”
Labels:
death valley,
drawings,
Installations,
Jürgen Trautwein,
land art,
NIESATT,
performance
Friday, September 8, 2017
Tuesday, September 13, 2016
Saturday, February 21, 2015
1472 Presidio - hexagon show 1 - a time-sheets intervention
Temporary space occupations - Hexagon show 1 is a performative time-sheets installation - an art in odd places project. Hexagon show 1 was set at the 1472 hexagonal guard-house at the Presidio in San Francisco on Februray 10, 2015 between 1:30pm and 2:17pm
click here for related works
Labels:
conceptual art,
drawings,
exhibitions,
NIESATT,
pe,
performance,
photography
Sunday, May 25, 2014
Thinking of Walter de Maria and the line in infinite space
Walter de Maria :"... but it is, that the real notion of an infinite space is
perhaps one of the few thoughts that is worth thinking about more than
once."
MEANINGLESS WORK |
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Meaningless
work is obviously the most important and significant art form today.
The aesthetic feeling given by meaningless work can not be described
exactly because it varies with each individual doing the work.
Meaningless work is honest. Meaningless work will be enjoyed and hated
by intellectuals - though they should understand it. Meaningless work
can not be sold in art galleries or win prizes in museums - though old
fasion records of meaningless work (most all paintings) do partake in
these indignities. Like ordinary work, meaningless work can make you
sweat if you do it long enough. By meaningless work I simply mean work
which does not make money or accomplish a conventional purpose. For
instance putting wooden blocks from one box to another, then putting
them back to the original box, back and forth, back and forth etc., is a
fine example of meaningless work. Or digging a hole, then covering it
is another example. Filing letters in a filing cabinet could be
considered meaningless work, only if one were not considered a
secretary, and if one scattered the file on the floor periodically so
that one didn't get any feeling of accomplishment. Digging in the
garden is not meaningless work. Weight lifting, though monotonous, is
not meaningless work in its aesthetic since because it will give you
muscles and you know it. Caution should be taken that the work chosen
should not be too pleasurable, lest pleasure becomes the purpose of the
work. Hence, sex, though rhythmix, can not stictly be called
meaningless - though I'm sure many people consider it so.
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Labels:
conceptual art,
death valley,
drawings,
Jürgen Trautwein,
land art,
NIESATT,
performance
Tuesday, May 20, 2014
jtwine posing as Nike of Samothrace at the Devils Golf Course in Death Valley, USA
JT as Nike of Samothrace is a set of reenactments of the famous Hellenistic sculpture and is part of a series of performances in Death Valley, California, which are investigating the idea of "body in space". They are part of the evolving body wrap performances staged at various locations around the world. The project explores ephemeral sculptural concepts.
The Winged Victory of Samothrace, also called the Nike of Samothrace, is a 2nd-century BC
marble sculpture of the Greek goddess Nike (Victory). Since 1884, it has been prominently displayed at the Louvre and is one of the most celebrated sculptures in the world. H.W. Janson described it as "the greatest masterpiece of Hellenistic sculpture."
The Nike of Samothrace, discovered in 1863, is estimated to have been created around 200–190 BCE. It is 8 feet (2.44 metres) high. It was created to not only honor the goddess, Nike, but to honor a sea battle. It conveys a sense of action and triumph as well as portraying artful flowing drapery through its features.
Labels:
conceptual art,
death valley,
Jürgen Trautwein,
land art,
NIESATT,
performance,
sculpture
Thursday, May 8, 2014
Flight Exercises in Death Valley - waiting for updraft
Selected images from UPDRAFT a flight exercises performance for drive-by tourists at the Artist's drive in Death Valley. An area of multi-colored claystones from the ancient ash-falls of the Artist's Drive Formation, where various metals have oxidized the clay creating eye-popping reds, yellows, greens, blues, and purples.
Labels:
conceptual art,
death valley,
Jürgen Trautwein,
land art,
NIESATT,
performance,
sculpture
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