Friday, April 17, 2020
Wednesday, April 15, 2020
Walking in circles 24/ 7 - interactive floorinstallation under lock-down, San Francisco
"Walking in circles 24/7” (following the wheel of the law), a shelter in place floor-installation-variations project, hand-painted letter-size paper, dimensions variable (studio version 205 cm diameter), 2020
A game without a goal to fill in the blank
another lock-down game
Labels:
conceptual art,
drawings,
Installations,
Jürgen Trautwein
Friday, April 10, 2020
Video Art Miden - ARTificial Intelligence - online screening
Online screening "ARTificial Intelligence", in which you participate, which is a collaboration with Athens School of Fine Arts. The program is now online on youtube at https://youtu.be/442dgfmz3zo and will remain open until end of April 2020.
Thank you so much for participating, it is really crucial and important to continue the artistic dialogue and exchange in these strange times of isolation we are experiencing.
You may find the announcement on our website here: http://www.festivalmiden.gr/en/video-art-miden-artificial-intelligence-online/
We are attaching the webposter and the pdf program.
We hope everyone is well and safe! Take care of yourself and your loved ones!
Gioula Papadopoulou
Video Art Miden
instagram: https://www.instagram.com/videoart_miden/
Participating artists/works:
-Juergen Trautwein & Silvia Nonnenmacher, Meta_Face, USA 2017, 2.09
-Di Hu, Les Objets Du Système, China 2019, 4.00
-Landia Art and Economy Foundation, Chatbot Dialogs, Germany 2019, 4.58
-Landia Art and Economy Foundation, Human Applications, Germany 2019, 13.18
-Elliott Nicole J. Waller & Fabian Forban, AEI (artificial emotional intelligence), Sweden/Germany, 2019, 4.10
-Yvana Samandova & Borjan Zarevski, Artificial Intelligence VS Aristotle// beta 0.98, France 2019, 4.21
-Katerina Athanasopoulou & Eleni Ikoniadou, Her Voice, UK 2019, 5.32
-Sven Windszus, PURE WHITE, Germany 2017, 3.00
Sunday, April 5, 2020
Undocumented events and object permanence - spring 2020 collection
Undocumented events and object permanence
- An online exhibition series thematizing documentation, conservation, (false) memory, (art) object, phenomenology, and blockchain certification.
The Spring 2020 collection is ready!
- An online exhibition series thematizing documentation, conservation, (false) memory, (art) object, phenomenology, and blockchain certification.
The Spring 2020 collection is ready!
The exhibition contains 63 works submitted between January and March 2020.
Participating artists
Acoustic Mirror, Bruce Barber, Arlen Barrera Leyva, sohil bhatia, Lawrence Bird, Alessa Brossmer, Ana Buigues, Cyborg Art Collective, sajjad dadpour, desire_direct, Reynald Drouhin, Jõrn Ebner, Siegmar Fricke / Pharmakustik, Mr. G, Benna Gaean Maris, Marko Gaertner, Diana Galimzyanova, Max Herman, Max Herman & Michael Szpakowski, Jinu Hong, Brenda Hutchinson, Danielle Imara, marcela jardon, Yejin Stephany Lee, Jan Robert Leegte, Zhongkai Li, Tatjana Macic, Aaliyah Marsh, Konstantina Mavridou & Silvia Gatti, Zsolt Mesterhazy, Jeff Ostergren, Bya de Paula, Milos Peskir, Daniel Pinheiro, pitscher, Theodora Prassa, Stefanie Reling-Burns, Natallia Sakalova, SLIDERS_lab [Frédéric Curien, Jean-Marie Dallet], Alan Sondheim, Anthony Stephenson, Elle Thorkveld, Christian Tiedeman, Jordan Topiel Paul, Jurgen Trautwein, A. P. Vague, Thomas Valianatos, Emilio Vavarella, Juri Wennekes, Paul Wiegerinck, William Wolfgang Wunderbar, and [anonymous]
The collection is notarized and certified on the bitcoin blockchain with the hash key of the zip of the collection embedded in the transaction. It means there's a public stamp referring to it, a proof-of-existence, since the hash-key is unique. So, the undocumented events and objects of the collection are then nonetheless proven to exist, which was partly the point, to assert an existence of the otherwise non-documented and non-documentable. In various degrees the works reflect this. In other words, blockchain is used as an archive, museum or a similar function for conservation of works, but without containing or revealing them - its only function is to certify their existence when asked.
Priest: Although it is midnight I see the form of a man, a faint form, in the light there. If you are spirit, who are you?
Spirit: I am the ghost of Tsunemasa. Your service has brought me.
Priest: Is it the ghost of Tsunemasa? I perceive no form, but a voice from a recording.
Spirit: It is the faint sound alone that remains.
Priest: O! But I saw the form, really.
Spirit: It is there if you see it.
-- Tsunemasa Noh play
Note the spirit's uncertainty as to his own success in appearing. The priest wonders if he really saw anything. The spirit affirms that 'The body was there if you saw it.'
Next edition will be the Summer collection, with a deadline in 20 June. A call for it will be sent out later.
Priest: Although it is midnight I see the form of a man, a faint form, in the light there. If you are spirit, who are you?
Spirit: I am the ghost of Tsunemasa. Your service has brought me.
Priest: Is it the ghost of Tsunemasa? I perceive no form, but a voice from a recording.
Spirit: It is the faint sound alone that remains.
Priest: O! But I saw the form, really.
Spirit: It is there if you see it.
-- Tsunemasa Noh play
Note the spirit's uncertainty as to his own success in appearing. The priest wonders if he really saw anything. The spirit affirms that 'The body was there if you saw it.'
Next edition will be the Summer collection, with a deadline in 20 June. A call for it will be sent out later.
For more info
The project is organized by Noemata.
Labels:
conceptual art,
exhibitions,
intermedia,
Jürgen Trautwein
Sunday, March 8, 2020
Saturday, February 15, 2020
Festival Selection for 60Seconds Festival 2020, Copenhagen
We are very proud to announce the winners of the 60Seconds Awards 2020!
The winner of the Jury Award will receive a prize of 15.000 Danish Krone (DKK)
The winner of the Audience Award of 8.000 Danish Krone (DKK)
February 16th at 17:00
Café – Polykrom/Den Frie Centre of Contemporary Art
Oslo Plads 1- 2100 Copenhagen Ø
Program:
17:00 - Doors open
17:15 - Welcome
17:30 - The jury (Moongoo Jung, Lars Movin and Jeanette Land Schou) will present the winner of 2020
18.00 - Drinks, snacks and live music.
17:00 - Doors open
17:15 - Welcome
17:30 - The jury (Moongoo Jung, Lars Movin and Jeanette Land Schou) will present the winner of 2020
18.00 - Drinks, snacks and live music.
Entrance is free and open to all!
Please register here at Billetto.
You can watch all the festival films at the 9 city venues, screening in public spaces in Copenhagen, Frederiksberg, Køge and Helsingør from February 10th-16th 2020. (18-24:00 h.)
or online at www.60sec.org and https://noemata.net/one-off/
We really thank all 141 participants from 41 countries for the videos we received for this year’s festival!
Remember to vote for your favorite films at https://60sec.org/ny2020.html.
The online votation will close Saturday at 24:00 h (CET).
Please register here at Billetto.
You can watch all the festival films at the 9 city venues, screening in public spaces in Copenhagen, Frederiksberg, Køge and Helsingør from February 10th-16th 2020. (18-24:00 h.)
or online at www.60sec.org and https://noemata.net/one-off/
We really thank all 141 participants from 41 countries for the videos we received for this year’s festival!
Remember to vote for your favorite films at https://60sec.org/ny2020.html.
The online votation will close Saturday at 24:00 h (CET).
Venues/projections:
Copenhagen Contemporary, Refshaleoen 17-24
Den Frie Centre of Contemporary Art 17-24
Trangravsbroen, Christianshavn 17-24
KØS – museum of art in public spaces, Køge 17-24
Frederiksberg Bibliotek 17-24
Union, Nørrebro 17-24
Nathanaels Kirke, Holmbladsgade, Amager 17-24
Kulturværftet, Helsingør 17-24
Solbjerg Plads, Frederiksberg 17-24
Copenhagen Contemporary, Refshaleoen 17-24
Den Frie Centre of Contemporary Art 17-24
Trangravsbroen, Christianshavn 17-24
KØS – museum of art in public spaces, Køge 17-24
Frederiksberg Bibliotek 17-24
Union, Nørrebro 17-24
Nathanaels Kirke, Holmbladsgade, Amager 17-24
Kulturværftet, Helsingør 17-24
Solbjerg Plads, Frederiksberg 17-24
--------------------------------------
Jury Selection for 60Seconds urban screenings:Huuto, Leena Lehti, Finland
Mind reverse, Daniele Caetano & Natasha Vergilio, Germany-Brazil
State of Liberty, Vanja Mervič, Slovenia
The way to Europe, Daniel Urhøj, Denmark
Live, Sajjad Dadpour, Iran
Soulmate, Mahdi Borjian, Iran
Reaction, Ruxandra Mitache, Switzerland
Sunrise in Atlantis, Benedikte Esperi, Sweden
Untitled, Ditte Johanne, Denmark
Techno Avatar, S. Vijayaraghavan, India
---------------------------------------
ONE OFF (1 second) for 60Seconds urban screenings:
Do not be afraid of…, Natallia Sakalova
The Deluge U.S. News, Kristin Anderson
Surreal Search, Elle Thorkveld
Recycle, Pin-Hua Chen
Urban Zoom, Marijn Bril
Neither here nor there, Lin Li
The Blur, Benna G. Maris
Grateful Blur, Stefanie Reling-Burns
ONFF, Juergen Trautwein
613d7446c2b2, Igor Stromajer
Do not be afraid of…, Natallia Sakalova
The Deluge U.S. News, Kristin Anderson
Surreal Search, Elle Thorkveld
Recycle, Pin-Hua Chen
Urban Zoom, Marijn Bril
Neither here nor there, Lin Li
The Blur, Benna G. Maris
Grateful Blur, Stefanie Reling-Burns
ONFF, Juergen Trautwein
613d7446c2b2, Igor Stromajer
----------------------------------
OneOffF jury selection for OneOffF screenings: (1 minute films)
Deadlock, Karolina Pawelczyk, Poland
Ramblas del Raval, Sasha Asensio, Spain
Just do it, Anne Järvi, Finland
Digital Fossil_mosquito Footprint, Milos Peskir, Serbia
Right than Wrong, Steen Møller Rsmusen, Denmark
Live, Sajjad Dadpour, Iran
White, Björn Aho, Finland
Dishes, Alberte Skronski, Danmark
Mind-Reverse, Daniele Caetano & Natasha Vergilio, Germany- Brazil
Take me There, Kirstine Siegumfeldt & Louis Lind Olrik, Danmark
Festival is made possible through the generous support of
The Danish Arts Council, Copenhagen Municipality, The Danish Film Institute and Amager Øst Lokaludvalg.
Deadlock, Karolina Pawelczyk, Poland
Ramblas del Raval, Sasha Asensio, Spain
Just do it, Anne Järvi, Finland
Digital Fossil_mosquito Footprint, Milos Peskir, Serbia
Right than Wrong, Steen Møller Rsmusen, Denmark
Live, Sajjad Dadpour, Iran
White, Björn Aho, Finland
Dishes, Alberte Skronski, Danmark
Mind-Reverse, Daniele Caetano & Natasha Vergilio, Germany- Brazil
Take me There, Kirstine Siegumfeldt & Louis Lind Olrik, Danmark
Festival is made possible through the generous support of
The Danish Arts Council, Copenhagen Municipality, The Danish Film Institute and Amager Øst Lokaludvalg.
Labels:
exhibitions,
experimental,
Jürgen Trautwein,
media art,
video
Tuesday, February 11, 2020
One-Off Moving Image Festival 2020
We're excited to invite you to the third edition of One-Off Moving Image Festival!
This year we have two programs. In addition to showing one second movies together with 60sec movies, we're also showing long single take movies. The theme is "Browsing right and wrong".
All movies are screened during the festival February 10 - 16, 2020 in Valencia (ES) and Gol (NO) in addition to the net. We use routers and QR-codes to screen the movies on smartphones in public spaces. Since the long single take movies are considered performative and site-specific the One-Off festival takes place at the location of the movies and becomes a distributed event. In this manner we've been able to screen the year 2020 in year 2017 - and even as far back as 2011 - in an anticipatory participation or plagiarism! One-Off 2020 also offers an experimental peer screening, where the shooting site of a movie contains reference to a peer movie (a printed QR-code placed at the location) perhaps in an attempt to displace its own (psychogeographical) mapping.
We're collaborating with 60Seconds Festival in Copenhagen (DK) taking place in parallel, to physically screen a selection of the one second movies mixed with 60 seconds movies in public spaces in Copenhagen, Frederiksberg, Køge and Helsingør during the festival week.
In addition, all one second movies will be included in the next Leap Second Festival, an irregular x-ennale lasting one second.
https://noemata.net/one-off/
Participants:
One second movies
Kristin Anderson
Lavoslava Benčić
Aad Björkro
Marijn Bril
Lénie Blue
Jen-Kuang Chang
Khalil Charif
Gene Chen
Pin-Hua Chen
osvaldo cibils
Cyborg Art Collective
det0une
Alexandre Duarte Bassani
Yossi Galanti
Eliot Gray Fisher
Max Herman
james a hutchinson
Jyun-Cheng Jian
Timo Kahlen
Ayshe Kizilçay & Adriano Perlini
Nicole Kouts
Olga Kowalska
LabSynthE
Lin Li
Patrick Lichty
Bonnie MacAllister
Benna G. Maris
Konstantina Mavridou
Erik Nilsebraten
Silvia Nonnenmacher
serge onnen
Lorenzo Papanti
Bya de Paula
Susanne Layla Petersen
klaus pinter
Tija Place
Stefanie Reling-Burns
João Rocha
Natallia Sakalova
Nina Sobell
Igor Štromajer
Elle Thorkveld
Juergen Trautwein
A. P. Vague
tobias c. van Veen & ZiggZaggerZ
Ela Wysakowska-Walters
Hussel Zhu
Long single take movies
Kristin Anderson
Sandy Baldwin
Sohil Bhatia
Brad Brace
osvaldo cibils
Gene Chen
Dorin Budușan
Emanuele Dainotti
detoune
Chris Funkhouser
Carin Jaeger
Kevin Perrin
Nicole Kouts
Patrick Lichty
Bjørn Magnhildøen
Zsolt Mesterhazy
Stefanie Reling-Burns
João Rocha
Natallia Sakalova
Nina Sobell
Alan Sondheim
Dany Tomasisi
tobias c. van Veen & ZiggZaggerZ
maeshelle west-davies
Ela Wysakowska-Walters
Malgorzata Zurada
60 seconds movies
Björn Aho
Sasha Asensio
Daniele Caetano & Natasha Vergilio
Sajjad Dadpour
Anne Järvi
Steen Møller Rasmusen
Karolina Pawelczyk
Milos Peskir
Kirstine Siegumfeldt & Louis Lind Olrik
Alberte Skronski
Labels:
exhibitions,
experimental,
Jürgen Trautwein,
media art,
silvia nonnenmacher,
video
Tuesday, January 28, 2020
Jürgen Trautwein - If yesterday were tomorrow today would be Sunday Paintings - gallery 60SIX, San Francisco
Jürgen Trautwein
If yesterday were tomorrow today would be Sunday
Paintings
Jürgen Trautwein presents his seventh exhibition with 60SIX, "If Yesterday were Tomorrow, Today would be Sunday."
In this series, old newsprint collages from the mid 90’s live under acrylic paint. The artist used mainly San Francisco Chronicle & Examiner Sunday papers using a wheat flour based gluing process in multiple layers revealing bends, wrinkles, folds and resulting in unexpected refractions. The agitated surfaces become rich and nuanced while unlabored. The creases and lines and pools of paint are reminiscent of his set of works from the Topography series as well as earlier work on antique linen where minimal fields are interrupted by paint sticking to folds and creases.
The artist says of his new series, "YesterMorrow reflects on the idea of re-thinking, re-evaluation, re-painting, re-creation, re-cycling and re-definition." The paintings are, he says, “silent reminders of erased content, voids of no incident.”
Trautwein’s paintings often feel like objects that have undergone a reaction. The materials are fully present and embodied in the object. The artist’s title "If Yesterday were Tomorrow Today would be Sunday," illustrates his zen approach. The logic is absent, and we are left only with the present moment and the object and our experience of it.
http://www.gallery60six.com/yestermorrow
In this series, old newsprint collages from the mid 90’s live under acrylic paint. The artist used mainly San Francisco Chronicle & Examiner Sunday papers using a wheat flour based gluing process in multiple layers revealing bends, wrinkles, folds and resulting in unexpected refractions. The agitated surfaces become rich and nuanced while unlabored. The creases and lines and pools of paint are reminiscent of his set of works from the Topography series as well as earlier work on antique linen where minimal fields are interrupted by paint sticking to folds and creases.
The artist says of his new series, "YesterMorrow reflects on the idea of re-thinking, re-evaluation, re-painting, re-creation, re-cycling and re-definition." The paintings are, he says, “silent reminders of erased content, voids of no incident.”
Trautwein’s paintings often feel like objects that have undergone a reaction. The materials are fully present and embodied in the object. The artist’s title "If Yesterday were Tomorrow Today would be Sunday," illustrates his zen approach. The logic is absent, and we are left only with the present moment and the object and our experience of it.
http://www.gallery60six.com/yestermorrow
Thursday, January 9, 2020
Synthetic Zero:The Virtual is (Always) Already Real - January 11-18.2020 BRONXARTSPACE, NYC
ARTISTS
Sandra Araujo Kaixi Yang Karl Heinz Jeron Jeff Thompson Angeles Cossio Amay Kataria Eugenia Pigassiou Eden Mitsenmacher Maya Quattropani Danielle Freakley Leon Richmond Guli Silberstein Barbara Rosenthal Patrick Moser Juergen Trautwein Julia Maria Sinelnikova
Digitally mediated human interactions have intertwined themselves into the fabric of our lives, changing our social and political life worlds, our emotional and mental lives, and our bodies and physical reality. It’s a virtual reality which cannot be separated from “real” reality. The event will include interactive installations, digital video, prints, sculptures, and visual art. The show is free to the public.
http://www.bronxartspace.com/http/michelebrodycom/2018/12/14/synthetic-zero-the-virtual-is-always-already-real
bronxartspace-synthetic-zero-the-virtual-is-always-already-real
bronxartspace-synthetic-zero-the-virtual-is-always-already-real
Labels:
animation,
conceptual art,
exhibitions,
Jürgen Trautwein,
media art
Sunday, December 1, 2019
NewMediaFest 2020 - netart features
NewMediaFest2020
WOW Jubilee 01 - 26 Dec. 2019 / 31 Jan. 2020
netart features - http://
incorporating interactive works by Jing Zhou, Kyon, Jurgen Trautwein aka J.T.Wine, Mark Cypher, José Alejandro López, Marc Lee, Pedro Veneroso, Dennis Summers, Robert Dohrmann , Jens Sundheim/Bernhard Reuss
... See More
Labels:
animation,
exhibitions,
experimental,
Jürgen Trautwein,
net art
Wednesday, November 20, 2019
Wednesday, November 13, 2019
Wednesday, November 6, 2019
Friday, October 11, 2019
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