Perl(if)e 1 second movie

 

ONFF - Trautwein imgs for disclosure

the video can be streamed on or off line

https://vimeo.com/684771871/description

Goethe on demand: Bias in technologies - short films 18-28 November 2021

Goethe on Demand: Bias in technologies
Shorts

Language DE, EN
Subtitles EN
Genre Short films
Country Germany, USA
Year 2001 - 2020
Directors Brenda Lien, Veneta Androva, Björn Melhus, Halina Kliem, Jürgen Trautwein, Silvia Nonnenmacher, Vera Sebert, Harun Farocki
Length 84 minutes
FSK  16 Years

In a humorous, playful, experimental, surprising and provocative way, the short films collected here question the use of and our dealings with various forms of technology as well as the effects of deep socio-political structures on algorithms. They provide insights into the machines and present utopian-dystopian views of posthumanist futures.

Brenda Lien’s Call of Comfort (DE 2018, 9 min.) deals with our online privacy, which falls victim to our demand for comfort as well as the promise of an optimized life. AIVA (DE 2020, 13 min.) by Veneta Androva humorously analyzes how “neutral” artificial intelligence can be, deconstructing the myth of the male genius. The experimental science fiction short film by video artist Björn Melhus, SUGAR (DE 2019, 20 min), confronts us with a post-humanist and post-capitalist future in which robots seek a way out of the echo chambers of meaningless selfie monologues left behind by humans. Halina Kliem’s speculative fiction The AIs (DE/USA 2021, 7 min.) is an experimental fiction on learning and unlearning, mind and labor, dynamics of bias, as well as change, and a dialogue between human and non-human entities. The film explores beliefs humans have about themselves, using feedback loops, chaotic systems, and historical-pattern-replicating machines. Meta_Face (USA 2017, 2 min.) by Jürgen Trautwein and Silvia Nonnenmacher reflects on how the major social networks we feed daily with our search queries, status updates, and location services know more about our obsessions and addictions than we do. Vera Seberts and Harun Farocki direct our gaze into the machines: What happens when visual language elements and metatexts are stripped of their context? Liquid Traits of an Image Apparatus (DE/AT, 2019, 7 min.) presents a poetic-experimental choreography of codes and symbols. In numerous juxtapositions, Eye/Machine III (DE, 2003, 25 min.) examines “intelligent” image processing techniques and “operative seeing” as well as the relationship between man, machine and modern warfare: What are the socio-political, but also humanistic consequences when (war) machines block out “surplus” information?   

Some of these films contain graphic scenes of nudity.

Af-No-0, 1 sec movie at ONE_OFF moving image festival, screening in collaboration with 60sec festival, Copenhagen

 

RISE (in a topsy_turvy world) a NIESATT_TTASEIN video project by jtwine.com

 #TTASEIN #NIESATT #2020inReview #contemporaryvideoart #jtwine.com #RiseToPersevere

 #

fragmented memories of a year like no other

NIESATT

TTASEIN

Rolling to the Mission - a trailer to a movie that was never made

 Delivering a role of art work to gallery 60six pop-up space in San Francisco's Mission district.

Meta_Face @ Joenkoepings Laens Museum, Schweden

Jürgen Trautwein zeigt die mit Silvia Nonnenmacher entstandene Videoarbeit »Meta_Face« bei der Artificial Intelligence Gruppenausstellung im Jönköpings läns Museum in Schweden // 30. Mai – 23. August 2020 // jonkopingslansmuseum.se/se-och-gora/kalender/utstallningar/artificial-intelligence/

mind_fly screenshots - 2020

1. Full Force

2.Tell you

3. Big Stink

4. Holed-up Emptiness

5. Could be anywhere

6. No Escape

"mind_fly", a collaborative video by Jürgen Trautwein and Silvia Nonnenmacher, employed the 'shelter-in-place' low-tech approach of weaving pen & ink drawings on letter-size paper into .gifs and subsequent video.
Counterpointed by a clickety-click soundscape of automated subway traffic, assembly-lines, elevator doors, disembodied footfalls, droning announcements --in which a cumulatively nightmarish post-apocalyptic lung exhales toxin and smoke into an accelerating de-humanizing de-civilization of smartphone dependence and dystopic digitization (where gas masks literally become the only short-end resolution)--
“mind_fly” nevertheless eschews the fatalistic for the hopeful… suggesting that the evil spell be broken, at least symbolically, by a calming re-integration with nature, as in the simple interaction of a single human gratefully listening to the song of a single bird on the perch of one’s own finger.

https://vimeo.com/408677569

Video Art Miden - ARTificial Intelligence - online screening

Online screening "ARTificial Intelligence", in which you participate, which is a collaboration with Athens School of Fine Arts. The program is now online on youtube at https://youtu.be/442dgfmz3zo and will remain open until end of April 2020.

Thank you so much for participating, it is really crucial and important to continue the artistic dialogue and exchange in these strange times of isolation we are experiencing.

You may find the announcement on our website here: http://www.festivalmiden.gr/en/video-art-miden-artificial-intelligence-online/

We are attaching the webposter and the pdf program.

We hope everyone is well and safe! Take care of yourself and your loved ones!

Gioula Papadopoulou

Video Art Miden

www.festivalmiden.gr

festivalmiden@gmail.com  

fb page: https://www.facebook.com/videoartmiden/  

instagram:  https://www.instagram.com/videoart_miden/  

Participating artists/works:

-Juergen Trautwein & Silvia Nonnenmacher, Meta_Face, USA 2017, 2.09    

-Di Hu, Les Objets Du Système, China 2019, 4.00 

-Landia Art and Economy Foundation, Chatbot Dialogs, Germany 2019, 4.58 

-Landia Art and Economy Foundation, Human Applications, Germany 2019, 13.18 

-Elliott Nicole J. Waller & Fabian Forban, AEI (artificial emotional intelligence), Sweden/Germany, 2019, 4.10   

-Yvana Samandova & Borjan Zarevski, Artificial Intelligence VS Aristotle// beta 0.98, France 2019, 4.21 

-Katerina Athanasopoulou & Eleni Ikoniadou, Her Voice, UK 2019, 5.32    

-Sven Windszus, PURE WHITE, Germany 2017, 3.00  

Festival Selection for 60Seconds Festival 2020, Copenhagen

We are very proud to announce the winners of the 60Seconds Awards 2020!
The winner of the Jury Award will receive a prize of 15.000 Danish Krone (DKK)
The winner of the Audience Award of 8.000 Danish Krone (DKK)

February 16th at 17:00
Café – Polykrom/Den Frie Centre of Contemporary Art
Oslo Plads 1- 2100 Copenhagen Ø

Program:
17:00 - Doors open
17:15 - Welcome
17:30 - The jury (Moongoo Jung, Lars Movin and Jeanette Land Schou) will present the winner of 2020
18.00 - Drinks, snacks and live music.

Entrance is free and open to all!
Please register here at Billetto.

You can watch all the festival films at the 9 city venues, screening in public spaces in Copenhagen, Frederiksberg, Køge and Helsingør from February 10th-16th 2020. (18-24:00 h.)
or online at www.60sec.org and https://noemata.net/one-off/

We really thank all 141 participants from 41 countries for the videos we received for this year’s festival!
Remember to vote for your favorite films at https://60sec.org/ny2020.html.

The online votation will close Saturday at 24:00 h (CET).

Venues/projections:
Copenhagen Contemporary, Refshaleoen 17-24
Den Frie Centre of Contemporary Art  17-24
Trangravsbroen, Christianshavn 17-24
KØS – museum of art in public spaces, Køge 17-24
Frederiksberg Bibliotek 17-24
Union, Nørrebro 17-24
Nathanaels Kirke, Holmbladsgade, Amager 17-24
Kulturværftet, Helsingør 17-24
Solbjerg Plads, Frederiksberg 17-24

--------------------------------------

Jury Selection for 60Seconds urban screenings:
Huuto, Leena Lehti, Finland
Mind reverse, Daniele Caetano & Natasha Vergilio, Germany-Brazil
State of Liberty, Vanja Mervič, Slovenia
The way to Europe, Daniel Urhøj, Denmark
Live, Sajjad Dadpour, Iran
Soulmate, Mahdi Borjian, Iran
Reaction, Ruxandra Mitache, Switzerland
Sunrise in Atlantis, Benedikte Esperi, Sweden
Untitled, Ditte Johanne, Denmark
Techno Avatar, S. Vijayaraghavan, India

---------------------------------------

ONE OFF (1 second) for 60Seconds urban screenings:
Do not be afraid of…, Natallia Sakalova
The Deluge U.S. News, Kristin Anderson
Surreal Search, Elle Thorkveld
Recycle, Pin-Hua Chen
Urban Zoom, Marijn Bril
Neither here nor there, Lin Li
The Blur, Benna G. Maris
Grateful Blur, Stefanie Reling-Burns
ONFF, Juergen Trautwein
 613d7446c2b2, Igor Stromajer

----------------------------------

OneOffF jury selection for OneOffF screenings: (1 minute films)
Deadlock, Karolina Pawelczyk, Poland
Ramblas del Raval, Sasha Asensio, Spain
Just do it, Anne Järvi, Finland
Digital Fossil_mosquito Footprint, Milos Peskir, Serbia
Right than Wrong, Steen Møller Rsmusen, Denmark
Live, Sajjad Dadpour, Iran
White, Björn Aho, Finland
Dishes, Alberte Skronski, Danmark
Mind-Reverse, Daniele Caetano & Natasha Vergilio, Germany- Brazil
Take me There, Kirstine Siegumfeldt & Louis Lind Olrik, Danmark

Festival is made possible through the generous support of
The Danish Arts Council, Copenhagen Municipality, The Danish Film Institute and Amager Øst Lokaludvalg.

One-Off Moving Image Festival 2020

We're excited to invite you to the third edition of One-Off Moving Image Festival!
This year we have two programs. In addition to showing one second movies together with 60sec movies, we're also showing long single take movies. The theme is "Browsing right and wrong".
All movies are screened during the festival February 10 - 16, 2020 in Valencia (ES) and Gol (NO) in addition to the net. We use routers and QR-codes to screen the movies on smartphones in public spaces. Since the long single take movies are considered performative and site-specific the One-Off festival takes place at the location of the movies and becomes a distributed event. In this manner we've been able to screen the year 2020 in year 2017 - and even as far back as 2011 - in an anticipatory participation or plagiarism! One-Off 2020 also offers an experimental peer screening, where the shooting site of a movie contains reference to a peer movie (a printed QR-code placed at the location) perhaps in an attempt to displace its own (psychogeographical) mapping.
We're collaborating with 60Seconds Festival in Copenhagen (DK) taking place in parallel, to physically screen a selection of the one second movies mixed with 60 seconds movies in public spaces in Copenhagen, Frederiksberg, Køge and Helsingør during the festival week.
In addition, all one second movies will be included in the next Leap Second Festival, an irregular x-ennale lasting one second.

 https://noemata.net/one-off/

Participants:

One second movies

Kristin Anderson
Lavoslava Benčić
Aad Björkro
Marijn Bril
Lénie Blue
Jen-Kuang Chang
Khalil Charif
Gene Chen
Pin-Hua Chen
osvaldo cibils
Cyborg Art Collective
det0une
Alexandre Duarte Bassani
Yossi Galanti
Eliot Gray Fisher
Max Herman
james a hutchinson
Jyun-Cheng Jian
Timo Kahlen
Ayshe Kizilçay & Adriano Perlini
Nicole Kouts
Olga Kowalska
LabSynthE
Lin Li
Patrick Lichty
Bonnie MacAllister
Benna G. Maris
Konstantina Mavridou
Erik Nilsebraten
Silvia Nonnenmacher
serge onnen
Lorenzo Papanti
Bya de Paula
Susanne Layla Petersen
klaus pinter
Tija Place
Stefanie Reling-Burns
João Rocha
Natallia Sakalova
Nina Sobell
Igor Štromajer
Elle Thorkveld
Juergen Trautwein
A. P. Vague
tobias c. van Veen & ZiggZaggerZ
Ela Wysakowska-Walters
Hussel Zhu

Long single take movies

Kristin Anderson
Sandy Baldwin
Sohil Bhatia
Brad Brace
osvaldo cibils
Gene Chen
Dorin Budușan
Emanuele Dainotti
detoune
Chris Funkhouser
Carin Jaeger
Kevin Perrin
Nicole Kouts
Patrick Lichty
Bjørn Magnhildøen
Zsolt Mesterhazy
Stefanie Reling-Burns
João Rocha
Natallia Sakalova
Nina Sobell
Alan Sondheim
Dany Tomasisi
tobias c. van Veen & ZiggZaggerZ
maeshelle west-davies
Ela Wysakowska-Walters
Malgorzata Zurada


60 seconds movies

Björn Aho
Sasha Asensio
Daniele Caetano & Natasha Vergilio
Sajjad Dadpour
Anne Järvi
Steen Møller Rasmusen
Karolina Pawelczyk
Milos Peskir
Kirstine Siegumfeldt & Louis Lind Olrik
Alberte Skronski

Ausstellungsbeteiligung/ group show - secret gardens @ Museum Romeinse Katakomben, Valkenburg a/d Geul, NL

Museum Romeinse Katakomben organiseert in oktober de vierde editie van dit hedendaags film- en video-art festival. Het museum presenteert tijdens het festival meesterwerkjes van een internationale selectie videokunstenaars en filmmakers.

Het nieuwe filmfestival staat garant voor een bijzondere en onvergetelijke ervaring. Wat dacht je van een onderaardse bosbeleving, een ontluikende blauwe tuin, en rondfladderende vogels in de mystieke setting van onderaardse crypten? Je wandelt zelfstandig door ondergrondse gangen en wordt op onverwachte plekken verrast door meesterwerkjes van een internationaal gezelschap filmmakers en videokunstenaars.

De video's zijn geselecteerd door curator Ana Frangovska, bekend van de Biennale van Venetië, videokunstenaar Nino Lomadze, afgestudeerd aan de Rietveld Academie en bekend van de internationale Imago Mundi Highlights collectie, en Maureen Bachaus, artistiek directeur van Museum Romeinse Katakomben. Dit team is ook verantwoordelijk voor het festivalthema 'Secret Gardens'. Het gangenstelsel van Museum Romeinse Katakomben herbergt namelijk indrukwekkende fresco's van tuinen, bloemen en taferelen uit de natuur. Het museum ontwikkelde daarom al eerder een themarondleiding waarbij je deze 'geheime tuinen' kunt bezoeken.

De deelnemende filmmakers en videokunstenaars werden uitgenodigd om hun hedendaagse visie op het thema 'secret gardens’ te laten zien. 

​

De geselecteerde filmmakers en videokunstenaars: 

(alfabetische volgorde)

David Alræk, Katrine Patry en Lisa Colette Bysheim (Noorwegen)

Mattia Biondi (Italië)

Daniel Dressel & Lynne Kouassi (Duitsland/Zwitserland)

Giorgos Efthimiou (Griekenland)

Andre Goldberg (België)

Simone Hooymans (Nederland/Noorwegen)

Dan Hudson (Canada)

Martha Kicsiny (Groot-Brittannië)

Patricio Ballesteros Ledesma (Argentinië)

Eleonora Manca (Italië)

Carles Pàmies (Spanje)

Isabel Perez del Pulgar (Spanje/Frankrijk)

Protey Temen (Rusland)

Jürgen Trautwein (Germany/USA)

Pierre Villemin (Frankrijk)

​

Het internationale film- en video festival is onderdeel van het hedendaagse programma van het museum, waarbij de vertaalslag wordt gemaakt van historische thema's naar de hedendaagse maatschappij. Je combineert het festival met een rondleiding door het museum of met een Romeinse lunch. Voor de kinderen ligt er en creatieve uitdaging klaar: een kijkdoos waarin ze zelf een geheime tuin mogen creëren.

META_FACE @6th international video exhibition @HongGah Museum Taipei, Taiwan

META_FACE will be part of the international video exhibition OFFLINE BROWSER @Hong Gah Museum, Taipei, Taiwan 10.20.18-01.13.19

策展人│Curator
許家維 HSU Chia-Wei
許峰瑞 HSU Fong-Ray

The information flow within a network society inherits the speed and elasticity of capitalism. Be it smartphone, TV, or computer, all are integrated onto the showcase medium that takes the Internet as the operation platform, while innovative technological entities integrate the information content and material interface of browsing. Under such circumstances, the convergence of multiple technologies along the processes from producing to watching images is being influenced by the numerous mediators and participants and vice versa, which further gives birth to the dynamic order as a whole. Yet, the spread of network technology shares similarities of that of an artificial neural network, substantially changing our manipulation of experience, power, history and the process of cultural production as well as the outcomes. The organizational concepts and forms based on fixed space, time, place, and state are utterly shattered, whereas the orientation it displays takes the “flowing” power as the first priority, which not only accelerates the evolution of capitalism and changes the nature of capital market, but also renews itself at a swift speed, producing a real-time global action.
The open structure of a network society possesses an attribute of extending beyond space and time. Hence, a “User”, disregard the direction he/she approaches from, is an open terminal, whatsoever. As long as the same communication codes are flowing and consumed on the Internet, they could be integrated into the new nodes, exploring the unknown network. In the meantime, the real identity of a User in the Internet Protocol is an “address” defined by a series of digital codes. Therefore, a User is not necessary a human being. It can be a machine as well. Networking brings about the qualitative changes to the production, utilization, and meaning construction of messages by the Users on the Internet. The key not only lies in how a text narrative is produced, but in the complicated relationship between the cloud database and message texts. Such process of conversion is the very image attribute the video art biennial this year aims to focus. It produces encyclopedia-like image texts among the co-opetition in between cloud database and narratives. What it manifests on the real-virtual image border is Users’ re-coding and understanding of life experiences as well as how to derive the dynamic relationships among the various networks in the human society with experience and knowledge in the network society consists of cloud, machines, and user groups. Under this framework, the material payload within images no longer plays the instrumental role in the conventional video art context. Instead, it is a springboard that reflects upon the network society as well as one of the segments of the artists’ creation and actions in “Offline Browser”.
“Offline Browser” stresses not the functional interpretation of online and offline on the Internet, nor does it pose us a binary question whether to leave or to stay. What It attempts to discuss, however, is that when we are using the platform constructed by the Internet, how we should contemplate the structural relationship between individual production and network under the user identity as producer/user/consumer, and convert the perspective of technical tool in the network society into a perspective of medium, infiltrating data via the reverse production of information and eventually affecting the material basis of algorithm. The key underneath is that networking technology is not unilaterally determined by the society, but more by the network worldview fabricated by the participations of users within. Thus, how to comprehend and not be held by the power of this technology is the very strategy Offline Browser deliberates.

大衛・布蘭迪 David BLANDY（英國）
尤根・陶凡 Jurgen TRAUTWEIN （德國）
文森・布迪索 Vincent POUYDESSEAU（法國）
皮亞特・珂施摩斯基 Piotr KRZYMOWSKI（波蘭）
瓦倫蒂諾・魯索 Valentino RUSSO（義大利）
半導體 Semiconductor（英國）
吉列・立貝羅 Gilles RIBERO（法國）
伊旺・古德 Ewan GOLDER（英國）
伊塔馬・辛匈尼 Itamar SHIMSHONY（以色列）
何子彥 HO Tzu Nyen（新加坡）
吳思嶔 WU Sih-Chin（台灣）
李宰旭 LEE Jaewook（南韓）
李恩喜 LEE Eunhee（南韓）
希朵．史戴爾 Hito STEYERL（德國）
林子桓 LIN Tzu-Huan（台灣）
帕希斯・卡波涅斯 Vasils KARVOUNIS（希臘）
亞麗珊卓・菲里妮 Alessandra FERRINI（義大利）
哈倫・法洛基 Harun FAROCKI（德國）
約瑟夫・威克斯 Joseph WILCOX（美國）
保羅・威爾斯賓斯基 Paul WIERSBINSKI（德國）
陸明龍 Lawrence LEK（德國）
高倩彤 KO Sin Tung（香港）
陸浩明＋亞歷克斯・麥＋彼得・倪森 Andrew LUK / Alexis MAILLES / Peter NELSON（香港）
馬契斯・契里亞卡波洛斯 Makis KYRIAKOPOULOS（希臘）
納威・諾帕坤 Naween NOPPAKUN（泰國）
娜塔莉婭・斯科比娃 Natalia SKOBEEVA（俄羅斯／比利時）
張奕滿 CHONG Heman（新加坡）
梁超 LIANG Chao（中國）
涅斯托爾・席爾＋茱莉亞・韋斯特 Nestor SIRÉ＋Julia WEIST（古巴＋美國）
賈伯葉・德布朗格 Gabriel DESPLANQUE（法國）
詹姆士・威利 James WYLIE（紐西蘭）
楊秦華 YANG Qin-Hua（中國）
愛莉莎・史翠娜 Elisa STRINNA（義大利）
葛雷格里・海曼 Gregory HAYMAN（英國）
瑪麗亞・莫麗娜‧貝伊蘿María MOLINA PEIRÓ（西班牙）
陳以軒 CHEN I-Hsuen（台灣）
陳呈毓 CHEN Chen-Yu（台灣）
鄭源 ZHENG Yuan（中國）
鄭先喻 CHENG Hsien-Yu（台灣）
鄭亭亭 CHENG Ting-Ting（台灣）
鄭佳喜 JEONG Kahee（南韓）
羅晟文 LO Sheng-Wen（台灣）
蘇珊娜・芙拉克 Susanna FLOCK（奧地利）
蘭達・摩若菲 Randa MAROUFI（摩洛哥）
更多展覽資訊請上官網︱http://twvideoart.org/tiva_18/


Artist List
David BLANDY (UK), CHEN Chen-Yu (Taiwan), CHEN I-Hsuen (Taiwan), CHENG Hsien-Yu (Taiwan), CHENG Ting-Ting (Taiwan), CHONG Heman (Singapore), Gabriel DESPLANQUE (France), Harun FAROCKI (Germany), Alessandra FERRINI (Italy), Susanna FLOCK (Austria), Ewan GOLDER (UK), Gregory HAYMAN (UK), HO Tzu Nyen (Singapore), JEONG Kahee (South Korea), Vasils KARVOUNIS (Greece), KO Sin Tung (Hong Kong), Piotr KRZYMOWSKI (Poland), Makis KYRIAKOPOULOS (Greece), LEE Eunhee (South Korea), LEE Jaewook (South Korea), Lawrence LEK (Germany), LIANG Chao (China), LIN Tzu-Huan (Taiwan), LO Sheng-Wen (Taiwan), Andrew LUK / Alexis MAILLES / Peter NELSON (Hong Kong), Randa MAROUFI (Morocco), María MOLINA PEIRÓ (Spain), Naween NOPPAKUN (Thailand), Vincent POUYDESSEAU (France), Gilles RIBERO (France), Valentino RUSSO (Italy), Semiconductor (UK), Itamar SHIMSHONY (Israeli), Nestor SIRÉ + Julia WEIST (Cuba + USA), Natalia SKOBEEVA (Russia / Belgium), Hito STEYERL (Germany), Elisa STRINNA (Italy), Jurgen TRAUTWEIN (Germany), WU Sih-Chin (Taiwan), James WYLIE (New Zealand), Joseph WILCOX (USA), Paul WIERSBINSKI (Germany), YANG Qin-Hua (China), ZHENG Yuan (China)

2018/10/19(Fri) 19:00 Opening !

Meta_Face - exploitable for digital harvest

check it out on vimeo

Meta_Face observes our obsessions and addictions in a digitalized world. Through our devices and social media we are being deep-faced, spied-on, infiltrated and manipulated to become vulnerable addicts, exploitable for perpetual digital harvest.

king alcohol

clay and leavenworth

Tuolumne river

sounds good

Tenderloin mini documentaries

New work at jtwine.com the Tenderloin sidewalks exploration project - experimental mini documentaries and camera on and off clips of San Francisco's seedy neighborhood.

This project is a collection of impressions shot on my daily walks in the Tenderloin, a 33 block area of poverty, crime, drugs, prostitution, homelessness, gangs and intense smells of human and animal excretion, to me one of the most interesting areas in San Francisco, a neighborhood that always reminds me of certain places in Mumbai. Here for more on the Tenderloin.

LA oil pit

LA oil pit found at the Santa Clarita Woodlands in the Santa Monica mountains.

No more Santa, the other oil spill.

Here for haunting images from the environmental disaster at the gulf.

Mr. Blank's non verbal reading

Mr. Blank's non verbal reading performance for a non-existing audience in front of Miroslaw Balka's video installation ''the fall'' at the Kunsthalle in Karlsruhe.

How it is

Miroslaw at Tate

Hack Art

the critics voice, art catalogue destruction from the Kunst auf'm Hackklotz project.